Notes: Charles Morris & John Sloop “Other Lips, Whither Kisses”

Morris, Charles E., & John M. Sloop. (2017). Other lips, whither kisses? Communication and Critical/Cultural Studies, 14(2), 182-186.

Summary:

Morris and Sloop, in response to the Pulse shooting in June, 2016, respond to the performance and discourse surrounding two men kissing, asking after performances of race, ethnicity, and ability that are omitted in this dominant discourse.

Keywords: Queer, Queer Rhetorics, Queer Theory, Queer Futurity, LGBTQ, Rhetoric, Communication, Intersectionality

Sources:

Muñoz, José Esteban. (2000). Feeling brown: Ethnicity and affect. In Ricardo Bracho’s “The Sweetest Hangover (and Other STDs)”, Theatre Journal, 52(1), 67–79.

Chávez, Karma. (2015). The precariousness of homonationalism: The queer agency of terrorism in post-9/11 rhetoric. QED: A Journal in GLBTQ Worldmaking, 2(3), 32–58.

Quotations:

“[I]t is fair to ask on what grounds we invoked queer worldmaking when our analysis and vision exhibited noexplicit markers or sustained analysis of intersectionality” (184).

“Both of these interventions offered a vibrant critical visual mass, but more, they helped us realize that kissing’s queer futurity… has so much to do with performance, affect, race and ethnicity—which is to insist that we’re seeking here the very specific bodies-in-pleasure gathered on Latinx Night at Pulse before they were cut down, brown bodies in pleasurable excess affectively interconnected, who in their racial and ethnic specificity were subsequently and unsurprisingly erased in large measure by mainstream public discourse” (184).

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