Lathan, Rhea E. (2015). Freedom writing: African American civil rights literacy activism 1955-1967. Urbana-Champagne, IL: Conference on College Composition and Communication.
Logan considers the pedagogical and literacy acquisition strategies of African Americans of the Civil Rights Movement, locating histories in interviews both personally conducted and archive-located.
Keywords: social histories, literacy, rhetoric
“Finding redemption, for my purposes, is a means of explaining how deep cultural resources that develop in the church and spiritual life transfer to a secular context as intellectual and spiritual strategies that enhance literacy activism” (p. 24).
“Finding redemption is the overarching theme of gospel literacy. It’s a theoretical interpretive concept centered on recovery, a means of dispelling the myth of grassroots literacy acquisition and use as basic, simple, or mechanical” (p. 106).
One of the things that I’m struck by in this book is the “Memory itself can be considered composition” (p. 109). For Lathan (2015), memory can give “special attention to illogical, supernatural, spiritual, or otherwise unexplainable events” and “puts the unexpected, unpredictable incidents and directions of our lives into perspective” (p. 109). This allows for “making intuitive connections to articulate truth that cannot be directly spoken” (p. 109).
This made me think of Castiglia and Reed’s (2012) If Memory Serves about gay culture and the AIDS Crisis in which they discuss cultural imperatives to forget the ‘crisis’ and to cast the past in the light of sexual irresponsibility. Instead, they argue, a queer counter-memory would allow for the radical sexual potentialities without painting the past as utopian: rather, queer counter-memories allow for productive disruptions and imaginations within dominant cultures. This makes me think, too, of “the refusal to submit to the burdens of history” (Lathan, 2015 p. 25).
These two texts seem to tend to the ways in which memory can be a productive way to conceive of histories in that they encounter the rhetorical constraints and material conditions that surround ideas of remembering and forgetting—which is making me think of Enoch’s (2013) idea of feminist memory studies approaches as attending to scholarly inattentions and also the rhetorical act of forgetting.
We’ve read a lot this semester about encountering forgetting or recovery projects, but I’m not sure that we’ve talked so much about negotiating forgetting with power, which is something that I see this text trying to do by both highlighting how the subjects themselves were writing those negotiations within their daily lives but also how larger culture forgets these figures due to elements of power.