Notes: Elizabeth Wingrove, “blah blah WOMEN blah blah EQUALITY blah blah DIFFERENCE”

Wingrove, Elizabeth. (2016). blah Blah WOMEN Blah Blah EQUALITY Blah Blah DIFFERENCE. Philosophy & Rhetoric, 49(4), 408-419.


Wingrove argues, within a Rancièrean perspective, that women’s ‘dissensus’ or assertions of injustice are tied and muted by a grammatical and historical police order.

Keywords: feminism, feminist rhetorics, feminist theory, rhetoric, writing studies


“[W]omen’s enactments of equality might remain so encased in the “blah blah blahs” of the gender order that their ability to disrupt the dogged certainties of patriarchal ideology remains forever diminished” (p. 409).

“The consequence, ultimately, is that within the Rancièrean framework, feminist ‘dissensus’ must remain muted, not by the unintelligibility (always potentially productive) of women’s ‘noise’ but by the challenge of ‘putting two worlds in one and the same world’… when both worlds are already lived, signed, and fabricated through the stuff of gender and the differences it presumes and reproduces. It is precisely this intertwining of worlds that risks emasculating feminist assertions of wrong, because we’ve already heard it all before: we’ve always lived in that world” (p. 417).

Notes: Pamela VanHaitsma, “Gossip as Rhetorical Methodology for Queer and Feminist Historiography”

Pamela VanHaitsma. (2016). Gossip as rhetorical methodology for queer and feminist historiography. Rhetoric Review. 35(2), 135-147.


VanHaitsma, drawing on her previously published work, outlines the queer, feminist rhetorical possibilities of gossip as a methodology for rhetorical historiography. She argues that gossip-as-methodology offers the ability for methodological speculation, access to gossip’s illicit knowing-and-meaning-making, and an insistence on openness with special regard for who is allowed to speak for whom.

Keywords: feminist rhetorics, queer rhetorics, rhetoric, writing studies, methodology, research methods, archives, historiography


Kirsch, Gesa E., and Jacqueline Jones Royster. “Feminist Rhetorical Practices: In Search of Excellence.” College Composition and Communication 61.4 (2010): 640–72.

Friedman, Andrea. “The Smearing of Joe McCarthy: The Lavender Scare, Gossip, and Cold War Politics.” American Quarterly 57.4 (2005): 1105–29.


“[G]ossip is a speculative methodology indispensible to feminist and queer ways of relating to the past, but instead of seeking to fix history or queerness, gossip ideally remains open to indefinite suggestion” (136).

“Following feminist scholars, gossip may thus be understood, on the one hand, as a positive rhetorical methodology: as another form of speculation or imagination that is practiced in ways consistent with traditional standards for scholarly rigor, reason and order, and truth claims” (138).

“Working with this understanding of gossip as illicit evidence, scholars of queer rhetoric may treat speculation about the past, much like more traditional archival materials, as grounds on which to develop narratives about non-normative sexual, romantic, and/or erotic practices—while simultaneously underscoring the impossibilities and uncertainties inherent in attempts to know the “truth” of sexuality, identity, and history” (139).


2017 Summer Reading List (so far…)

4/24-5/5: Ahmed, Sara. (2017). Living a feminist life. Durham: Duke University Press.

4/24: Sewell, John I. (2014). “Becoming rather than being”: Queer’s double-edged discourse as deconstructive practice. Journal of Communication Inquiry, 38(4), 291-307.

4/25: Morris, Charles E., & Sloop, John M. (2017). Other lips, whither kisses? Communication and Critical/Cultural Studies, 14(2), 182.

4/26: Samek, Alyssa A. & Theresa A. Donofrio. (2013). “Academic drag” and the performance of the critical personae: An exchange on sexuality, politics, and identity in the academy. Women’s Studies in Communication, 36(1), 28-55.

4/27: Fox, Ragan. (2013). “Homo”-work: Queering academic communication and communicating queer in academia. Text and Performance Quarterly, 33(1), 58-76.

4/28: Bessette, Jean. (2016). Queer rhetoric in situ. Rhetoric Review, 35(2), 148-164.

4/29: Pamela VanHaitsma. (2016). Gossip as rhetorical methodology for queer and feminist historiography. Rhetoric Review. 35(2), 135-147.

4/30: Horst, Heather & Daniel Miller. (2012). Normativity and materiality: A view from digital anthropology. Media International Australia, Incorporating Culture & Policy, (145), 103-111.

5/1: Muñoz, José Esteban. (2000). Feeling brown: Ethnicity and affect in Ricardo Bracho’s “The Sweetest Hangover (And Other STDs)”. Theatre Journal, 52(1), 67-79.

5/2: Chávez, Karma. (2015). The precariousness of homonationalism: The queer agency of terrorism in post-9/11 rhetoric. QED: A Journal in GLBTQ Worldmaking, 2(3), 32–58.

5/3: Yep, Gust A. (2002). From homophobia and heterosexism to heteronormativity: Toward the development of a model of queer interventions in the university classroom. Journal of Lesbian Studies, 6(3-4), 163-76.

5/4: VanHaitsma, Pamela. (2014). Queering the language of the heart: Romantic letters, genre instruction, and rhetorical practice. Rhetoric Society Quarterly, 44.1, 6–24.

5/5: Villarejo, A. (2005). Tarrying with the normative: Queer theory and black history. Social Text, 23.3–4, 69–84.

5/6-5/19: Thompson, Peter & Slavoj Žižek (eds.). (2013). The privatization of hope: Ernst Bloch and the future of utopia. Durham: Duke University Press.

5/6: Portolano, Marlana. (2012). The rhetorical function of utopia: An exploration of the concept of utopia in rhetorical theory. Utopian Studies, 23(1), 113-141.

5/7: Happe, Kelly E. (2015). Parrhēsia, biopolitics, and occupy. Rhetoric & Philosophy, 48(2), 211-223.

5/8: Newman, Eric H. (2015). Ephemeral utopias: Queer cruising, literary form, and diasporic imagination in claude McKay’s home to Harlem and banjo. Callaloo: A Journal of African Diaspora Arts and Letters, 38(1), 167-241.

5/9: Stempfhuber, Martin & Michael Liegl. (2016). Intimacy mobilized: Hook-up practices in the location-based social network Grindr. Österreichische Zeitschrift Für Soziologie, 41(1), 51-70.

5/10: Harvey, David O. (2011). Calculating risk: Barebacking, the queer male subject, and the De/formation of identity politics. Discourse, 33(2), 156-183.

5/11: Chaput, Catherine. (2010). Rhetorical circulation in late capitalism: Neoliberalism and the overdetermination of affective energy.” Philosophy and Rhetoric, 43(1), 1–25.

5/12: Endres, Danielle, and Samantha Senda-Cook. (2011). Location matters: The rhetoric of place in protest. Quarterly Journal of Speech, 97(3), 257–82.

5/13: Walker, Paul. (2017). Let’s disagree (to agree): Queering the rhetoric of agreement in writing assessment. Composition Forum, 35. Web.

5/14: Thieme, Katja, & Shurli Makmillen. (2017). A principled uncertainty: Writing studies methods in contexts of indigeneity. College Composition and Communication, 68(3), 466.

5/15: Bacha, Jeffrey A. (2016). The physical mundane as topos: Walking/dwelling/using as rhetorical invention. College Composition and Communication, 68(2), 266.

5/16: Stormer, Nathan, & Bridie McGreavy. (2017). Thinking ecologically about rhetoric’s ontology: Capacity, vulnerability, and resilience. Philosophy & Rhetoric, 50(1), 1-25.

5/17: Wingrove, Elizabeth. (2016). blah Blah WOMEN Blah Blah EQUALITY Blah Blah DIFFERENCE. Philosophy & Rhetoric, 49(4), 408-419.

5/18: Daniel, James Rushing. (2016). The event that we are: Ontology, rhetorical agency, and Alain Badiou. Philosophy & Rhetoric, 49(3), 254–276.

5/19: Bowen, Lauren M. (2017). The limits of hacking composition pedagogy. Computers and Composition, 43, 2017, 1-14.

5/20-5/28: Cooper, Davina. (2014). Everyday utopias: The conceptual life of promising spaces. Durham: Duke University Press.

5/20: Vallerand, Olivier. (2013). Home is the place we all share, Journal of Architectural Education, 67:1, 64-75.

5/21: Jennex, Craig. (2013). Diva worship and the sonic search for queer utopia. Popular Music and Society, 36(3), 343-359.

5/22: Faris, Michael J. (2014). Coffee shop writing in a networked age. College Composition and Communication, 66(1), 21.

5/23: Dean, Tim. (2015). Mediated intimacies: Raw sex, truvada, and the biopolitics of chemoprophylaxis. Sexualities, 18(1-2), 224-246.

5/24: Heard, Matthew. (2013). Tonality and ethos. Philosophy and Rhetoric, 46(1), 44-64.

5/25: Scott, Tony and Lil Brannon. (2013). Democracy, struggle, and the praxis of assessment. College Composition and Communication, 65(2), 273-298.

5/26: Walker, Paul. (2013). Composition’s akrasia: The devaluing of intuitive expertise in writing assessment. enculturation, 15.

5/27: Bhattacharya, Kakali. (2007). Consenting to the consent form: What are the fixed and fluid understandings between the researcher and the researched? Qualitative Inquiry, 13(8), 1095–115.

5/28: Cole, Daniel. (2011). Writing removal and resistance: Native American rhetoric in the composition classroom. College Composition and Communication, 63(1), 122–44.

5/29-6/11: Butler, Judith, Zeynep Gambetti, & Leticia Sabsay (eds.). (2016). Vulnerability in resistance. Durham: Duke University Press.

5/29: Schotten, C. Heike. (2015). Homonationalist futurism: “Terrorism” and (other) queer resistance to empire. New Political Science, 37(1), 71-90.

5/30: Migraine-George, Thérèse & Ashley Currier. (2016). Querying queer African archives: methods and movements. WSQ: Womens Studies Quarterly, 44(3&4), 190-207.

5/31: Adams, Heather, Jeremy Engels, Michael J. Faris, Debra Hawhee, & Mark Hlavacik. (2012). Deliberation in the midst of crisis. Cultural Studies ↔ Critical Methodologies, 12(4), 342-345.

6/1: Stormer, Nathan. (2016). Rhetoric’s diverse materiality: Polythetic ontology and genealogy. Review of Communication, 16(4), 299-316.

6/2: Pflugfelder, Ehren H. (2015). Rhetoric’s new materialism: From micro-rhetoric to microbrew. Rhetoric Society Quarterly, 45(5), 441.

6/3: Agnew, Lois P. (2015) The Materiality of Language: Gender, Politics, and the University. Rhetoric Review, 34(1), 106-110.

6/4: Burnett, Cathy, Guy Merchant, Kate Pahl & Jennifer Rowsell. (2014). The (im)materiality of literacy: The significance of subjectivity to new literacies research. Discourse: Studies in the Cultural Politics of Education, 35(1), 90-103.

6/5: Richardson, Timothy. (2014). The authenticity of what’s next. Enculturation, 17.

6/6: Yergeau, Melanie, Elizabeth Brewer, Stephanie Kirschbaum, Sushil K. Oswal, Margaret Price, Cynthia L. Self, et al. (2013). Multimodality in motion: Disability and kairotic spaces. Kairos, 18(1).

6/12-6/17: Rand, Erin. (2014). Reclaiming queer: Activist and academic rhetorics of resistance. Tuscaloosa, AL: University of Alabama Press.

6/12: Rand, Erin J. (2013). Queer critical rhetoric bites back. Western Journal of Communication, 77(5), 533-537.

6/13: Bessette, Jean. (2013). An archive of anecdotes: Raising lesbian consciousness after the Daughters of Bilitis. Rhetoric Society Quarterly, 43(1), 22-45.

6/14: West, Isaac. (2013). Queer generosities. Western Journal of Communication, 77(5), 538-541.

6/15: Ahlm, Jody. (2017). Respectable promiscuity: Digital cruising in an era of queer liberalism. Sexualities, 20(3), 364-379.

6/16: Nichols, Garrett W. (2013). The quiet country closet: Reconstructing a discourse for closeted rural experiences.” Present Tense: A Journal of Rhetoric in Society 3.1.

6/17: Scott, J. Blake. (2003). Extending rhetorical-cultural analysis: Transformations of home HIV testing. College English, 65(4), 349-367.

6/18-6/23: Waite, Stacey. (2017). Teaching queer: Radical possibilities for writing and knowing. Pittsburgh, PA: University of Pittsburgh Press.

6/18: Waite, Stacey. (2015). Queer literacies survival guide. College Composition and Communication, 67(1), 111-114.

6/19: Kopelson, Karen. (2013). Queering the writing program: Why now? how? and other contentious questions. Writing Program Administration, 37(1), 199.

6/20: Coles, Gregory. (2016). The exorcism of language: Reclaimed derogatory terms and their limits. College English, 78(5), 424.

6/24-6/30: Shipka, Jody. (2011). Toward a composition made whole. Pittsburgh, PA: University of Pittsburgh Press.

6/24: Shipka, Jody. (2009). Negotiating rhetorical, material, methodological, and technological difference: Evaluating multimodal designs. College Composition and Communication, 61(1), W343-W366.

6/25: George, Diana. (2002). From analysis to design: Visual communication in the teaching of writing. College Composition and Communication, 54, 11-39.

6/26: Marback, Richard. (2009). Embracing the wicked problems: The turning to design in composition studies. College Composition and Communication, 61(2), W397-W419.

6/27: Davis, Matthew, & Kathleen B. Yancey. (2014). Notes toward the role of materiality in composing, reviewing, and assessing multimodal texts. Computers and Composition: An International Journal for Teachers of Writing, 31, 13-28.

6/28: West-Puckett, Stephanie. (2016). Making classroom writing assessment more visible, equitable, and portable through digital badging. College English, 79(2), 127-151.

6/28: Fortune, Bonnie. (2013). Queering the hackerspace at miss baltazar’s laboratory and beyond. Make/shift, (14), 38.

6/29: Kohtala, Cindy. (2016). Making “Making” critical: How sustainability is constituted in fab lab ideology. The Design Journal, , 1-20.

7/1-7/7: Sirc, Geoffrey. (2002). English composition as a happening. Logan, UT: Utah State University Press.

7/1: Ball, Cheryl E. (2004). Show, not tell: the value of new media scholarship. Computers and Composition, 21, 403-425.

7/2: DeVoss, Dànielle Nicole, Ellen Cushman, & Jeffrey T. Grabill. (2005). Infrastructure and composing: The when of new-media writing. College Composition and Communication, 57, 14-44.

7/3: Symposium. (2014). The maker movement in education: Designing, creating, and learning across contexts. Harvard Educational Review, 84(4), 493-494.

7/4: Martin, Lee. (2015). The promise of the maker movement for education. Journal of Pre-College Engineering Education Research (J-PEER), 5(1), 30-39.

7/5: Kera, Denisa. (2014). Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces. Technology in Society, 37, 28-37.

7/6: Halverson, Erica R., & Kimberly M. Sheridan. (2014). The maker movement in education. Harvard Educational Review, 84(4), 495.

7/7: Charlton, Colin. (2014). The weight of curious space: Rhetorical events, hackerspace, and emergent multimodal assessment. Computers and Composition: An International Journal for Teachers of Writing, 31, 29-42.

Notes: Gloria Anzaldúa, “Movimientos de rebeldía y las culturas que traicionan” in Borderlands/La Frontera: The New Mestiza

Anzaldúa, Gloria (1987). “Movimientos de rebeldía y las culturas que traicionan.” In Borderlands/La Frontera: The New Mestiza. San Francisco: Spinsters/Aunt Lute.


Anzaldúa writes gets at defining culture and the limitations imposed on the self.

Keywords: Cultural Rhetorics, Culture, Decolonial/Postcolonial, Queer, Feminist Rhetorics, Minority Rhetorics, Critical Race Theory


“There is a rebel in me—the Shadow-Beast. It is a part of me that refuses to take orders from outside authorities. It refuses to take orders from my conscious will, it threatens the sovereignty of my rulership. It is that part of me that hates constraints of any kind, even those self-imposed. At the least hint of limitations on my time or space by others, it kicks out with both feet. Bolts” (16).

“Culture forms our beliefs. We perceive the version of reality that it communicates. Dominant paradigms, predefined concepts that exist as unquestionable, unchangeable, are transmitted to us through culture” (16).

“Deviance is whatever is condemned by the community. Most societies try to get rid of their deviants…. The queer are the mirror reflecting the heterosexual tribe’s fear: being different, being other and therefore lesser, therefore sub-human, inhuman, non-human” (18).

“The world is not a safe place to live in…. The ability to respond is what is meant by responsibility, yet our cultures take away our ability to act—shackle us in the name of protection” (20-21).

Notes: Rebecca Rickly, “Making Sense of Making Knowledge”

Rickly, Rebecca. “Making Sense of Making Knowledge.”College Composition and Communication, vol. 64, 2012.


Keywords: Compostion, Rhetoric, Writing Studies, Research, Methodology, Methods, Feminist Rhetorics


Fleckenstein, Kristie, Clay Spinuzzi, Rebecca Rickly, and Carole Clark Papper. “The Importance of Harmony: An Ecological Metaphor for Writing Research.” College Composition and Communication 60.2 (2008): 388–419.

Law, John. After Method: Mess in Social Science Research. New York: Routledge, 2004.


“[A]pplying methods rigorously, yet contextually, aware of the constraints that local situations might include, and altering the application of the method in a manner that allows for rigor even if it means altering the method. In essence, the researcher follows the “spirit” of the method rather than the “letter” of the method” (225).

“I love the idea about looking at the assumptions behind methods and reality taken for granted. It’s how we should be articulating our methods, even those we borrow from other fields, if we are to make them our own” (227).

Notes: Estee Beck, Mariana Grohowski, and Kristine Blair, “Subverting Virtual Hierarchies: A Cyberfeminist Critique of Course-Management Spaces” in James P. Purdy and Dànielle Nicole DeVoss Making Space: Writing Instruction, Infrastructure, Multiliteracies

Beck, Estee, Mariana Grohowski, and Kristine Blair, “Subverting Virtual Hierarchies: A Cyberfeminist Critique of Course-Management Spaces” in James P. Purdy & Dànielle Nicole DeVoss (Eds.) Making Space: Writing Instruction, Infrastructure, and Multiliteracies. UM Press Sweetland, 2016.


Estee, Grohowski & Blair offer a cyberfeminist critique of Course-Management Spaces as well as many alternative digital spaces and the ways that these can reinscribe patriarchal authoritative values.

Keywords: Writing Studies, Rhetoric, Composition, Digital Rhetoric, Feminist Rhetorics, Multiliteracies, New Media


Arola, Kristin. (2010). The design of Web 2.0: The rise of the template, the fall of design. Computers and Composition, 27(1), 4–14.

Oh, Yeon Ju. (2012). Is your space safe? Cyberfeminist movement for space online at Unnine. In Radhika Gajjala & Yeon Ju Oh (Eds.), Cyberfeminism 2.0 (pp. 245–261). New York: Peter Lang.


“Historically, theoretically, and pedagogically, scholar–teachers have critically questioned the ability of electronic learning environments to foster a safer space for students who are potentially marginalized within the physical confines of the brick and mortar classroom”

“It is important to remember, however, that integrating digital tools does not represent a de facto commitment to empowerment and that any technology use must be aligned with curriculum and pedagogical practices that support such a goal”

“In conclusion, we call for more opportunities for both students and teachers to interrogate the existing spaces they inhabit and collaboratively work to align learning spaces with the curricular and cyberfeminist goals of accessibility and inclusiveness.”

“The potential to silence or marginalize students by acting upon the data may occur because the social and political matrices students bring with them in online spaces are not captured by the algorithms that collect user clicks, downloads, and time spent in a module in the course space”

Notes: Michelle Gibson, Martha Marinara, and Deborah Meem, “Bi, Butch, and Bar Dyke: Pedagogical Performances of Class, Gender, and Sexuality”

Gibson, Michelle, Martha Marinara, and Deborah Meem. “Bi, Butch, and Bar Dyke: Pedagogical Performances of Class, Gender, and Sexuality.” College Composition and Communication, vol. 52, National Council of Teachers of English, Urbana, 2000.


Keywords: Composition, Writing Studies, Pedagogy, Critical Pedagogy, Queer, Queer Rhetorics, Feminist Rhetorics, Class, Sexuality


Minh-Ha, Trinh. “Introduction: She, the In- appropriate(d) Other.” Discourse 8 (1986/1987): 3-9.

Rich, Adrienne. “When We Dead Awaken: Writing As Revision.”‘ Ways ofReading. Ed. David Bartholomae and Anthony Pet- rosky. 4th ed. Boston: Bedford Books, 1996. 549-62.


“Through our “stories,” we hope to complicate the notion that identities can be performed in clean, organized, distinct ways by examining and theorizing our own experiences of class, gender, and sexual identity performance. We want to acknowledge the conscious ways we perform our multiple subjectivities and to examine our political/economic/ pedagogical uses of those performances” (70).

“In marking stories “lesbian” or “working class,” the lives contained therein are less invisible and give the narrators-students and faculty-a political site from which to speak and act. Playing with the notion of an “essential voice” allows the storytellers to claim a recognizable, politically engaged identity from a narrative that is already academically codified; however “speakable,” this politicized voice emerges from a self-empowerment that hinges on an appeal to universalities of class and sexuality, a self-empowerment that depends on binary oppositions” (72).

“Writing students define “real me” voices as safe, static, inherent, and inviolate; public voices, though, are required to listen to other public voices, and listening can cause uncomfortable changes. The tension, the uncertain space writing teachers and students find between the familiar, “real me” voice and an emerging public voice, should not necessarily be resolved with already codified positions; rather the tension should be a space to work from and with because the language of any personal narrative contests static identities” (72-73).

“The space created by opening up identity allows for a more open-ended model of collective identity and poses hard questions about the nature and definitions of political subject positions as one is both enlarged and oppressed by constantly shifting alliances” (75).

“[M]any issues of diversity are so fully embodied that they cannot be meaningfully discussed, but rather exist primarily in the realm of performance” (79).

“These three stories illustrate how my butch performance (and I use that word hoping you will attend to the difference between, say, dramatic performance and embodied performance) impacts my various interactions in the academy. Because I am butch, I am visible as a lesbian; I am often asked, for  which is mostly invisible. instance, to be the “token dyke” on campus” (82).

“Students and faculty see my butchness as powerful, especially as contrasted with femme experience” (82).

“Whenever a circumstance allows for it, I perform my identities as a femme lesbian, a survivor of family violence, and a recovering mental patient” (85).

“I wanted to perform for those administrators an identity they usually associate with students they characterize as”not college material”and then complicate it with an identity they usually associate with professionals they characterize as”successful.”” (90).

“Without consistent interrogation, over time, acts that originate as political resistance can become familiar and institutionalized, thereby losing their power to create change” (92).